Imagine you are walking along a riverside path. In the distance is a sheepfold, but when you come closer it becomes a seat.

This is a place to rest where the walls form two sofas, carved cushions are placed to lean against, and steel throws over the backs of the seats are cut with designs reflecting the community of Falstone and constantly changing landscape that surrounds it.

 

OS map ref: NY720873

 

What 3 Words: locate.harder.aced

 

About 0.5 miles (800 metres) to the east of Kielder Dam, turn off the C200 and drive carefully into Falstone Village. Turn left in front of Falstone Tearooms and park near the Village Hall.

 

Stell is sited 330 yards (300 metres) along the riverside walk that starts opposite the village hall.

 

Visitors can also walk or cycle on a pleasant route from Hawkhope Car park on the north corner of Kielder Dam. Follow the waymarking to Falstone and pick up the path from the village hall.

Stell (Northumbrian dialect for a sheepfold), was created by Sunderland-based artist Colin Wilbourn in collaboration with Falstone Village.

 

The artist worked with members of the community to develop the idea for the sculpture and ran workshops enabling villagers to produce drawings that became the images on the intricate 'throws' that hang over the backs and armrests of the seats.

 

 

 

 

Each 'throw' was waterjet cut from thick steel plate and depicts different aspects of the place, its history, community and wildlife.

 

Colin carved the cushions from local sandstone and crafted the gates from green oak. On site he worked with a local drystone waller to create the enclosure that forms the main structure of the Stell.

 

Colin Wilbourn says of his practice:

 

"I work predominantly, but not exclusively, outside and often in public places. I endeavour to make work that is appropriate to its place, both in a physical and conceptual sense. I want it to be accessible, intriguing, involving and enjoyable.

 

I relish the challenge and enjoy working with many different materials having worked with wood, stone, glass, concrete etc. anything and everything including chocolate! The theme of my work, put simply, is to transform the familiar and ordinary into something extra-ordinary. When appropriate, I like to involve the public in the creation of public artworks whether that be; exchanging ideas, information and skills; working practically; or just working on site."