Located on the end of the Belling peninsula on the north shore of Kielder Water, Wave Chamber is a small stone camera obscura structure, projecting an image of the water onto the floor.
Within the dark interior the walls echo the wave sounds and the floor appears to become liquid.
The building takes the form of a drystone beehive on the shoreline with a small door to allow access. Although the interior initially appears very dark, as your eyes adjust to the low light level a moving image of waves on the lake appears on the floor if by magic.
OS map ref: NY696883
What 3 Words: wallet.guideline.oval
From Hawkhope Car Park, at the north corner of Kielder Dam, follow the Lakeside Way along the north shore. A little over 0.5 mile (0.8 km) along the track, the path to Wave Chamber is signposted on the left. The total distance from Hawkhope car park is 1 mile (1.6 km), approximately 25 minutes’ walk time.
Please note that the final section of path is a rough forest track with steps in places and is not suitable for wheelchairs.
A good way to explore all the artworks along the Lakeside Way is by cycle. Bikes should be to at least hybrid cycle grade with decent country tyres for the changing terrain of Kielder Water & Forest Park.
To the west of the Wave Chamber is the Belling inlet and beyond that visitors will be able to see both 55/02, approximately 2.25 miles (3.6 km) from wave Chamber, and the Belvedere, about 3.25 mile (5.2 km) from wave Chamber. At 2.5 miles (4 km) to the east and beyond Kielder Dam, is the village of Falstone and the riverside site of Stell.
In Wave Chamber, the artist has created an artwork that separates out just one of the many experiences of the Kielder landscape, in this case the light on the water and the restless forms of the waves on the lake. The structure does not try to cut the visitor off completely though as the sound of the wind and waves can be heard from inside and tiny points of light can be seen shining through small gaps in the stonework.
Wave Chamber uses a mirror and lens mounted in the top of the building to capture the light that bounces off the water just beyond of the Belling. The mirror turns the light down into the interior where the lens focuses it on the floor of the chamber. Wave Chamber was constructed from 82 tons of local stone by the artist working with a local drystone waller.
Visitors should note that it takes several minutes for your eyes to adjust to the low light inside the chamber and the image is clearer in the middle of the afternoon when the sun faces the mirror most directly. On bright sunny days when there is also enough wind to create waves on the lake the image will be most distinct.
"I wanted to see the world with openness, not from a fixed point. So I began using the very stuff of the world."
Chris Drury seeks to make connections between different phenomena in the world, specifically between:
- Nature and Culture
- Inner and Outer
- Microcosm and Macrocosm
All of his works, over the past 25 years have been concerned with these connections. This is what unites the whole body of work. He does not have a particular style, nor does he prefer one material or process over another, rather he will seek the most appropriate means and material to find, and make explicit, those connections.
To this end he collaborates with scientists and technicians from a broad spectrum of disciplines and technology. This may mean that one exhibition or work outside may look very different to another. Each work starts from zero and breaks new ground. Its starting point is the place and/or the situation. His work therefore is a continuing dialogue with the world, exploring our place in the universe.
Chris Drury has had solo exhibitions and contributed to group shows across the world. In his quest to work in the world's wildest places, he has also traveled to Sri Lanka, Ladakh, Colorado, New Mexico and Lapland, as well as working in the Western Isles and south western Ireland. He lives in Lewes, Sussex.
Further information on the artist can be found at www.chrisdrury.co.uk